John 00 Fleming - JOOF Editions 4

To truly push the envelope, logic dictates you must first bin its respective rulebook. In conceiving his JOOF Editions series, that’s what John 00 Fleming did with mixcomp’s rubric. He imagined a higher, more reflective calling for the medium, taking it beyond that of mere DJs’ ‘calling card’. A means to an end, ‘Editions’ convention-busting 4-hour + runtimes provide a 1-for-1, real-time mirroring of the XL 00 Fleming experience.

That though is now four-year-old history. In the intervening years, ‘JOOF Editions’ have become John’s established ‘norm’ – the only way he does compilation business. On cue, this March sees him deliver its fourth voluminous volume.

Heightened mixcomp orders naturally call for ever more exacting measures, and ‘in JOOF Editions 4’s assembly, John has once again been unwavering in the collative pursuit. In the quest for its audio, no studio stone has gone unturned – a trek that has taken him to the doors of producers ranged from the legendary to the neophyte.

Over 276 minutes you’ll find material from a virtual Who’s Who of prog-trance’s best known and capable. Max Graham, L.S.G., Quivver, Union Jack, Airwave, Orkidea, The Digital Blonde, Moshic – you name ‘em, they’re represented. Equally there’s audio from its 21st Century class – Jerome Isma Ae & Alastor, Guy J, Stan Kolev, Tim Penner, Basil O’Glue, Rick Pier O’Neil, Paul Thomas, Façade all making ‘V4’s cut. For every recognisable name though, there’s a track from a producer in whom John’s seen significant future promise. JOOF Recordings’ arrivals like Alex Morelli, The Stupid Experts, Roby M Rage and Robert Elster all marshal. As naturally does the deep floor conquistador himself, with John including new JOOFware like ‘Planet X’, ‘Protected By Karma’ and his latest single, ‘We Close Doors’.

At its outset, ‘Editions 4’s style-band is locked into the cooler paced, ether-soaked and more celestially esoteric. Zero convulsions or shock value contrivances, its feel is a constant flux of minor ebb & contrasting flow. An engrossing trip, it’s one that looks not out… but up. As it progresses – matched by sounds, by degrees tougher, more impressing and forceful, its pace imperceptibly increases. Galactic in feel, size and tone, piece by painstaking piece, another classic’s been built.

In delivering his fourth ‘JOOF Editions’ odyssey, John 00 Fleming feels that it’s “the most exciting of times” for the album to arrive. “Our sound is finally back where I dreamt it would be… And it only took 14 years he deadpans. That corner’s been turned and it’s become a force again. Year on year since they began, he continues, I see the ‘JOOF Editions’ releases as the ones that most clearly and authentically document that upswing”.

Be of no doubt though, said “upswing” is no chance happening, but the result of a concerted push by John and others. Taking one of trance (or even dance music’s) most inherently underground styles to arenas like A State Of Trance and Dreamstate is something that would have seemed improbable just four years ago. Fresh from playing ASOT’s first ever progressive stage last week, he said: “these things take time to resolve”. That’s healthy though, and naturally all the more satisfying for the time it took. The style, or indeed set of sub-styles, he considers are not ones you can pin words like ‘overt’, ‘instant’ or ‘obvious’ to. Paradoxically that’s one of its main appeals”.

John is in no doubt as to where the newer audiences for the style that ‘JOOF Editions 4’ typifies come from either. “Both ends”, he states. “In essence, our music is the only viable bridge between the trance genre as a whole and a swathe of other electronic music areas. By the same token, the opposite end of Trance had to run out of evolutionary road before the shift to progressive could happen. It had to reach a point where it couldn’t get any harder, or more uplifting, mainstream, extreme, etc. That cycle’s resolved now. Its race has been run. And that’s why we’re here”.

On finishing the compiling of ‘JOOF Editions 4’, he’s also 20/20 on where music for future ‘Editions’ will be sourced. “It won’t be coming from trance. Our intake will be from the progressive and techno areas”.

[title]Tracklist[/title]

01 John 00 Fleming & The Digital Blonde – Amanitas
02 Moshic – Mol-Do-Va
03 Dmitry Molosh – The Fall (Framewerk Remix)
04 The Stupid Experts – Night And Day
05 Matteo Bruscagin & Visnadi – Drps Classic (Guy J Remix)
06 Fausto Fanizza & Thomas Schwartz Feat Piper Davis – Midnight (Extended Mix)
07 Stan Kolev & Matan Caps – Revive
08 Yunta – Narguile (Subandrio Remix)
09 Golan Zocher, Kamilo Sanclemente – La Luna
10 Alex Morelli -Sleeply Nation
11 Tim Penner – Goodbye (Jeremy Rowlett Remix)
12 LSG – Netherworld – (Rise And Fall Remix)
13 Max Graham – Moonchild (Tim Penner Remix)
14 Basil O Glue – Everyone Has A Story
15 Quivver – The Rat
16 Mark EG Vs Nico Kohler – Underworld (Kreisel Remix)
17 Rick Pier O Neil – Throaty
18 Dezza – Escapist
19 Paul Thomas – Alpha Papa (Extended Mix)
20 Union Jack – Cactus – (Airwave’s Dark And Long Remix)
21 Jerome Isma-Ae & Alastor – Kubrick
22 Lio Q – A Non Domino (RPO Remix)
23 Orkidea – Nana (Jerome Isma-Ae Remix)
24 John 00 Fleming – We Close Doors
25 Optimuss – Saturn
26 Paul Anthonee, Haze-M, Inner Rebels – The Love Is Over Feat Haptic
27 Kalden Bess – UNDFND Kontrol
28 Artbat – Wall
29 Tom Hades ,Irregular Synth – Witches (Stigmata Remix)
30 Royal Wolf – Crveni Djavoli (Roby M Rage Remix)
31 John 00 Fleming & Roby M Rage – The Devils Gates Of Heaven
32Basil O’Glue – The Mars Project
33Aquya – Subsystem (You Are My Salvation Remix)
34 Airwave – Dancing Desperado
35 Facade – October
36 Blue Alphabet – Cybertrance (Airwave’s Cyberbreaks)
37 John 00 Fleming -Planet X
38Robert Elster – Straight To Base
39 Allaby & Bedders – Hollywood
40 Visua – The Time Has Come
41 Visua – Dream On
42 The Digital Blonde- Argo
43 John 00 Fleming – Protected By Karma
44 E-Clip Vs Micky Noise – The One
45 Tim Bourne – Akasha
46 Tim Penner – The Guardian