There are few, if any artists from the electronic music domain that studied at a conservatory, much less can write, orchestrate and conduct a full orchestra. BT is completely unique in the electronic music realm as he does this, well… all the time.
This month sees BT return to a musical realm in which he is uniquely versed. Since cutting his teeth scoring cult crime caper Go in 1999, the US composer has provided OSTs for an incredible diversity of films. He’s written groundbreaking scores for everything from The Fast & The Furious to Oscar winning Monster and even Pixar shorts.
In association with Black Hole Recordings, this December sees him release a beautiful intricate, emotionally soaring, orchestral and modular hybrid score. It is one though that presented the composer with a myriad of new and distinct challenges.
‘Ittefaq’ (English title: ‘Coincidence’) is the US composers first non-English language film. Written and shot in the twisting, turning, Akira Kurosawa-forged Rashomon-style (where mutually contradictory interpretations of events are presented), BT found himself in uncharted composition territory.
To overcome this multi-faceted scoring challenge, while synchronously echoing the fast moving events of the whodunit, BT drew on his most eclectic palette of musical forms to date. Amongst its 29-track span, BT sits classical instrumentals and cooler, more downtempo electronic pieces (written primarily with a large modular synthesizer), alongside orchestral and symphonically led numbers, in turn featuring any number of sub-styles, techniques and methods. It’s a truly remarkable and unique tour de force – wild ride; elucidating the bleeding edge of what is possible in modern score.
Currently holding a rare ‘100% Fresh’ rating on review aggregator RottenTomatoes.com, ‘Ittefaq’ has been one of Bollywood’s biggest word-of-mouth sleeper hits this year. While initially proving a hurdle, the intricacy of the Mumbai-shot thriller’s plot ultimately proved to the strongest spur for Brian Transeau’s score. Centered on the story of a man falsely – or otherwise – accused or murdering his wife, BT crafts one atmospheric, suspenseful and evocative set piece after another. Swift-yet-fluid musical pivots mirror the film’s unfolding events/conflicting dialogues (‘Ittefaq’s strapline “2 Murders, 2 suspects, 2 versions” saying much). Throughout though Brian maintains an overarching air of intrigue, expectation and anticipation to the music.
TRACKLIST
01 ITTEFAQ Theme Suite
02 Vikram, Katherine, Maya Theme
03 Modularis
04 Prologue Chase
05 Night Market Arrest
06 The Crime Scene
07 A Murderer Loose
08 Discovering Katherine’s Body
09 Vikram’s Great Escape
10 Into the Apartment
11 Maya’s Story
12 End of a Life
13 Investigation Theme Suite
14 The Faulty Light
15 Hostage
16 Two Sides of the Story
17 Flight
18 The Aftermath
19 Was it Maya?
20 Is it Vikram?
21 The Video Argument
22 The Accused
23 Maya’s Theme Suite
24 Truth in Photos
25 Dev’s Suspicion
26 Vikram Finishes the Story
27 The Two Brothers Theme
28 Blackout
29 The Peak
His latest OST triumph, BT’s accompaniment to ‘Ittefaq’ is out today and available to buy or stream here: bt.choons.at/ittefaq
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